The composer for Clair Obscur: Expedition 33 started on Soundcloud


Clair Obscur: Expedition 33 is the game du jour, (that’s French for badass), dominating Metacritic and being hailed by critics and players alike as a strong contender for Game of the Year. It’s destroying the Square Enix narrative that gamers don’t want realistic graphics combined with turn-based gameplay.

I’m also obsessed with the game right now. Aside from the incredible story and combat, it has one of the most memorable soundtracks I’ve experienced since the Baldur’s Gate 3 OST.

Whether the game is making you sob to a pivotal story moment or bop while parrying a Mime, the soundtrack makes you feel every moment intensely, and I’ve found myself listening to it away from the game itself.

While trying to find specific tracks for some of the boss fights online, I came across the composer, Lorien Testard, on Soundcloud. Turns out, that’s where he started sharing his tracks before the developers at Sandfall Interactive discovered him and invited him to join their project.

From Soundcloud to composing 8 hours of music for a potential Game of the Year

Clair Obscur: Expedition 33 (Original Soundtrack) Full OST – YouTube
Clair Obscur: Expedition 33 (Original Soundtrack) Full OST - YouTube


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Considering the campaign is relatively short, and can be completed in around 30 hours, there is a whopping 8 hours worth of music and you can listen to it continuously or purchase all 154 tracks on Steam. All of the main characters have their own theme, each area has its own atmospheric track, each boss fight it’s own unique soundscape.

The official Expedition 33 website is where I found the composer’s ‘origin story’ and how the game director reached out to Lorien Testard after finding his music posted from Soundcloud to an obscure gaming forum.

The full piece details how his love for the Mario and Zelda franchises inspired his passion for video game music and led him to compose his first songs.

“For a long time, I composed video game music in my free time, writing a new track each week in different styles to refine my skills. At the time, I was a guitar teacher, but once a week, I would compose and upload my work to SoundCloud. After a year, I had about fifty tracks online.





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